Some of the special effects are discussed. The documentary focuses on what become of the prop that was used in the movie. The Time Traveller details the experience of time travel and the evolution of his surroundings as he. The original stars, Alan Young and Rod Taylor are brought back. He then immediately sets off on a journey into the future. It was included as a "special feature" on the DVD for George Pal's film The Time Machine, released by Warner Bros. This is a semi-documentary of the the 1960, George Pal movie, The Time Machine. The film won a Saturn Award and a Telly Award. It would be Bissell's last acting performance. Lucas first filmed Whit Bissell for the opening, recreating his role as Walter. The mini-sequel reunited George (Rod Taylor) with Filby (Alan Young). Professor David calculated we were stuck in the Jurassic period until we could find a battery, but then an idea popped in my head. Lucas contacted the original screenwriter, David Duncan, who agreed to write a mini-sequel to George Pal's film. When we woke up we decided it was time to go back to the lab, so we walked to the time machine and opened the doors, but then the screen showed 1 battery left. Chang and Warren shared more details about creating the effects and how the little Time Machine prop was made. This led to an interview with one of Warren's partners, Wah Chang, in Northern California. Warren, the award winning effects creator for the original movie, kindly consented to an on-air interview in which he discussed creating the special effects for the film. Half-length Film Synopsis The film was made about the Time Machine prop, not the movie, but during filming, Bob Burns surprised director Clyde Lucas by having Gene Warren, Sr. Time Machine: The Journey Back (1993) (US) Documentary, Science Fiction 48m User Score Overview Documentary/Sequel to 1960 adaptation of 'The Time Machine' Clyde Lucas Director Bunky Young Writer David Duncan Writer Top Billed Cast Rod Taylor Himself / Narrator / H.G. 7th Voyage Productions Inc Genre Documentary.
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God of War: Ascension is due for release across Europe from 13th March 2013. ‘From Ashes’ features a special arrangement of Ellie Goulding’s track ‘Hanging On’ and marks one of the most ambitious video productions ever undertaken by Sony Computer Entertainment. With Troy Baker, Adrienne Barbeau, Susanne Blakeslee, Brian Bloom. Swearing to avenge them, Kratos will be tested as he seeks freedom, redemption for his sins and the chance to avenge his family. God of War: Ascension: Directed by Todd Papy. The ‘From Ashes’ live action trailer sets the story for God of War: Ascension which sees Kratos, tricked by the god Ares into killing the only people he ever loved, his wife and child. Sony Computer Entertainment has collaborated with Imaginary Forces, the creative minds behind some of the epic cut-scenes that gamers will see in God of War: Ascension, and the game’s developer Santa Monica Studio, to bring Kratos and his family to life, paying careful attention to remain true to the game itself. The prequel to the best-selling God of War franchise, God of War: Ascension explores the more human side of Kratos as he struggles with the pain of losing everything he has ever loved. Along with the announcement came the release of a teaser trailer to provide a little detail about the game. Sony have released a live action trailer for God of War: Ascension. God of War: Ascension Teaser Trailer By Breanna Goodman Posted on ApThe newest entry in the God of War series, God of War: Ascension, was announced earlier today on the Playstation Blog. I was unaware that XnView only uses the JPG within the DNG file - thank you for pointing this out. You do need a full raw converter program such as the free darktable or raw therapee to take advantage of a raw file.Thanks for this - I usually use FastStone, and occasionally using XnView for other editing. You do need a full raw converter program such as the free darktable or raw therapee to take advantage of a raw file. Result: I fear your approach is actually a full waste of the capabilities of the raw files. It then also can work with those jpgs to adjust them and create a changed output.īut essentially feeding a DNG into xnview and adjusting things there is 100% the same as feeding it a jpg debeloped in the camera. Xnview can open raw files in the way that it displays the jpg images embedded into the raw file. I am not sure about irfanview, but relatively sure about faststone and xnview.Īnd I fear you are believing something wrong here… UniWB would you simply choose the desired WB in your RAW editor content in the knowledge that no channel is blown in the original image? Some help with understanding how to us HDR scene without the HDR tonemapping most think of when composing hdr images Once you know what is happening you can apply the right corrections your raw converter I would then look at how your camera handles baseline exposure I would also look at finding a way to view your cameras raw file, this will give you a better idea as to what is contained in the raw file There would be some need to configure your camera so that you have a better representation Yes it can be done to some extent, the histogram in LV would be your best bet. There are also targets for the hue, saturation, and brightness of a TV’s primary colors (red, green, and blue) and secondary colors (cyan, magenta, and yellow), depending on whether the SDR or HDR color spaces are being used for what you’re watching. For example, we have behavioral targets for functions called gamma (for SDR video) and electro-optical transfer function (or EOTF, for HDR video), which specify how much light a TV should produce across a range of electrical stimulus levels. But what does it mean to have “scientific” standards for TVs? Essentially, it boils down to light and color production, two stimuli that can be easily measured.įor both SDR (standard dynamic range) and HDR (high dynamic range) content, there are designated light and color targets that a TV should hit. Scientific standards for HDTV performance have been in place since 1990, and scientific standards for UHD TV performance have been in place since 2015. Knowing some of these basic points before you start shopping around can simplify the process and narrow down your viable options. And if your intended room is especially bright, you may want to spring for a premium LCD TV since such models get a lot brighter than budget LCD TVs or OLED TVs. If you’re buying for a bedroom, you probably don’t need a huge screen. So start by asking yourself a few questions: What kind of content are you going to watch? What’s the right screen size for the room? How much control do you have over competing light, such as from lamps and windows? If you’re not planning on playing video games or watching Blu-ray discs, you probably don’t need a TV with a 120 Hz refresh rate, which tends to raise the price. But the good news is that even affordable TVs tend to look excellent if you just want the basics. The key thing to know about modern TVs is that shopping for a new one is less about avoiding a lemon and more about making sure you aren’t paying for features you don’t need or won’t use. If you’re eager to buy a new TV but overwhelmed by all the jargon, check out our TV buying guide. These TVs are our top picks from our various TV guides, which involved hundreds of hours of research and testing. As a tech support guy, I’ve come across dozens of people whose computers died without having a backup. I’ve used quite a variety of backup apps and strategies, and I’ve suffered a few disasters as well. My name is Adrian Try, and I’ve been using and abusing computers for decades. Why Trust Me for This Mac Backup App Review? How We Tested and Picked These Mac Backup Apps.Get Backup Pro (Disk Cloning, Folder Sync) Best for Hard Drive Cloning: Carbon Copy Cloner.Best for Incremental File Backups: Time Machine.Best Backup Software for Mac: Our Top Picks.Why Trust Me for This Mac Backup App Review?.Using a PC? Also read: Best Backup Software for Windows These aren’t your only options, so we’ll cover a range of other alternatives, and help you come up with a backup system that’s both convenient and reliable. Carbon Copy Cloner is an excellent choice here and will get you back up running in no time. They get you back up and running ASAP if your computer dies or is stolen, your hard drive becomes corrupt, or you purchase a new computer. Other apps create a bootable duplicate of your hard drive. It comes preinstalled for free on your Mac, runs in the background 24-7, and makes it easy to get back anything you’ve lost. We found that Apple’s Time Machine is the best option here. Some Mac backup apps are great at helping you get back a lost file or folder. One day it might become a source of great relief. If you choose the right Mac app and set it up thoughtfully, it shouldn’t be a burden. That’s why you need backup copies of everything.Ī backup routine should be part of every Mac user’s life. Your valuable files can vanish in an instant. Always unexpectedly, and sometimes spectacularly. We keep a lot of valuable information on our computers: irreplaceable photos, videos of our children’s first steps, important documents we slaved over for hours, and maybe the beginnings of your first novel. The following chips, while supporting AES hardware acceleration, do not support AES-NI: VIA x86 CPUs, AMD Geode, and Marvell Kirkwood (ARM, mv_cesa in Linux) use driver-based accelerated AES handling instead. The ARMv8-A processor architecture, announced in 2011, including the ARM Cortex-A53 and A57 (but not previous v7 processors like the Cortex A5, 7, 8, 9, 11, 15 ) also have user-level instructions which implement AES rounds. These instructions are in addition to higher level encryption commands. The SPARC T4 processor, introduced in 2011, has user-level instructions implementing AES rounds. Hardware acceleration in other architectures ĪES support with unprivileged processor instructions is also available in the latest SPARC processors ( T3, T4, T5, M5, and forward) and in latest ARM processors. Several AMD processors support AES instructions:
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I think this game has some great Ideas in terms of Story and the idea to add some text adventure style game play but it fails in some other areas. I did buy it on a massive discount for just $2 instead of some $20 and boy am I glad I did not pay full price. I did buy it I love this kind of games and I have to admit that I was eager to buy the Game for the Switch after reading and watching reviews. I love this kind of games and I have to admit that I was eager to buy the Game for the Switch after reading and watching reviews. I definitely recommend it for those people stuck at home looking for a solid 15-20 hours of content for a low price. The choices you make actually do matter down the road as some things carry over from one campaign to the next and the game encourages replay with all of the branching paths based on choices. The story of the game was very dark but I enjoyed that kind of story because it's fairly fresh for a tactical type of rpg. I would love some sort of indicator that showed when you went to a certain location which enemies were targetable. There were also issues with line of sight and sometimes it was hard to get into a position that would let you get the shot just right. There were times when my character didn't do what I wanted him to do and ended up dying for it. One issue I had was the camera and targeting doors or other mission objectives. I liked the luck system but one of my favorite parts of the game was the poker card bonus system and how you could really feel your characters progressing from map to map and how some of the rare items you obtained would be unlocked and purchasable at a later date by different characters in other campaigns. It was very similar to xcom which I am a huge fan of. The game is difficult and the gameplay is interesting. After playing the game I wanted a bit more but for $1 on the eshop I definitely felt like I got my money's worth. The music and art in the game was really nice and helped with the immersion. I felt somewhat immersed in the stories and I enjoyed the little details in the text that made this game feel like a unique western experience. I felt somewhat immersed in the stories and I enjoyed the little details in the text This game was very cool to play as a fan of westerns. This game was very cool to play as a fan of westerns. We recognise the potential of talented students from all backgrounds. Please see the alternative qualifications page for more information. Please contact us to discuss the transferability of your qualification. The entry requirements for alternative qualifications can be quite specific for example you may need to take certain modules and achieve a specified grade in those modules. We recognise that applicants have a wealth of different experiences and follow a variety of pathways into higher education.Ĭonsequently we treat all applicants with alternative qualifications (besides A-levels and the International Baccalaureate) on an individual basis, and we gladly accept students with a whole range of less conventional qualifications including: Immigration team if you need advice about your visa options. The University of Nottingham does not sponsor a student visa for students studying part-time Student route visas can be issued for eligible students studyingįull-time courses. International students must have valid UK immigration permissions for any courses or study period This means that you won't need to retake IELTS or equivalent. If you successfully complete your presessional course to the required level, you can then progress to your degree course. Our Centre for English Language Education is accredited by the British Council for the teaching of English in the UK. If you need support to meet the required level, you may be able to attend a Presessional English for Academic Purposes (PEAP) course. Check our English language policies and equivalencies for further details.įor presessional English or one-year foundation courses, you must take IELTS for UKVI to meet visa regulations. This includes TOEFL iBT, Pearson PTE, GCSE, IB and O level English. Our mentoring scheme gives new starters the opportunity to connect with more experienced physics students, helping you settle into university life.ģ8 (6 in maths - analysis and approaches accepted, applications and interpretations not accepted - plus 6 in physics and 6 in a third subject all at Higher Level)Ĭheck our country-specific information for guidance on qualifications from your countryĪs well as IELTS (listed above), we also accept other English language qualifications. We also have an active student society, PhysSoc, which organises social events throughout the year. This programme can help you further develop skills such as organisation, communication and team working. We encourage students to share their fascination with physics with the wider community through our outreach programme. Our unique, student centred MSci course offers innovative teaching methods, with few to no exams in the final year. Some of our teaching staff share their love of physics with budding scientists worldwide through the popular Sixty Symbols YouTube channel. What’s more, there is flexibility to transfer between most physics courses after the first year. You can study topics as diverse as cosmology, nanoscience, and medical imaging and learn from experts in those fields. Our courses offer a wide range of optional modules, so you can explore new areas of physics and specialise in the ones that interest you the most. Our research activities cover cutting-edge topics ranging from probing quantum mechanics at ultralow temperatures to understanding the largest structures in the Universe. More recently, our use of quantum technologies to understand how the brain works is changing the way that neurological conditions are detected and treated. This technology has already helped more than half a billion people worldwide. Research undertaken within the School of Physics and Astronomy, by Professor Sir Peter Mansfield, was recognised with a 2003 Nobel Prize for the invention of Magnetic Resonance Imaging body scanners. We have a proud history of learning and innovation. 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